THE FUTURE OF THE SCOTTISH BAGPIPES IN HONG KONG: CONCERT AND SEMINAR
Bagpiping has a long history in Hong Kong and has been an integral part of Hong Kong’s culture since its introduction in the late 19th century. Nonetheless, facing accelerated decolonisation in Hong Kong in recent years, it is unclear if this musical instrument can survive in post-colonial Hong Kong. This lecture organised by Hongkongers in Britain will provide views on the future of bagpipes in Hong Kong, followed by a live performance of famous Scottish tunes.
Guest Performer and Speaker: Andrew Yu
About the Guest Performer and Speaker: Ethnomusicologist at the University of Edinburgh, currently researching Scottish bagpiping history and culture in former British colonies in the Far East (Hong Kong and British Malaya), professional bagpiper.
THE NATIONAL SECURITY LAW AND THE FUTURE OF SCOTTISH BAGPIPING IN HONG KONG
Bagpiping has a long tradition in Hong Kong. Like other British colonies, the bagpipe was introduced to Hong Kong in the late 19th century by the British Army. Besides British military pipe bands, many civilian pipe bands were set up in the territory in the 20th century. Although the British Army already retreated from Hong Kong in 1997 due to the handover, bagpiping as a cultural form is still generally active in this territory.
However, in the event of the recent political developments in Hong Kong, the position of the Scottish bagpipes in Hong Kong has changed. Since the enforcement of the National Security Law in 2020, the Hong Kong Government has been accelerating the decolonisation process. For example, Scottish tunes are no longer allowed to play in the police pipe band and other government pipe bands; tartan is removed from the uniform. Can this art survive in post-colonial Hong Kong? Especially when the post-colonial political controversy is so intense nowadays.
As a professional bagpiper myself, I will present why and how the political environment influences this piping culture in Hong Kong. Materials were mostly collected from ethnography interviews, secondary sources such as archives and news, as well as different observations as an insider. I will also present the latest survey data collected from Hong Kong just before the enforcement of the National Security Law in this paper. The survey results show what bagpipers and drummers in Hong Kong think of this colonial musical instrument's future.
WAS MURRAY MACLEHOSE OVERPRAISED IN HONG KONG? REFLECTING ON THE MACLEHOSE ERA
COLONIAL LEGACY AND INHERITANCE: SCOTTISH BAGPIPES CULTURE IN SINGAPORE
This paper seeks to discuss the development of Scottish piping in Singapore, a former British Colony in the Far East, and showcase how Scottish culture being spread under British colonialism, and preserved in the post-colonial era. This paper will first present the history of the Scottish regiments and military piping in pre-World War II Singapore. The paper will then discuss the role of the RAF Seletar Pipe Band and how the band impressed Lee Kuan Yew, the founding Prime Minister of the Republic of Singapore. The paper will also discuss how regimental pipe bands provided a role model for independent Singapore, whose government announced the creation of the Republic's first women pipe band in 1967, just two years after the independence. Over the past decades, the women pipe band has played an important role in promoting piping in Singapore as the band has provided many tutors to the Boys Brigade pipe bands, where teenagers can learn the bagpipes nowadays. This paper concludes that the historical link and inheritance make this colonial culture is robust in post-colonial Singapore.